This wall sculpture from the 1960s is a distinctive example of nature-inspired modernism, constructed almost entirely from brass and depicting two crane birds amid stylized reeds and a geometric water motif. The highly polished brass surface glows in a warm golden hue; the birds and reeds display a mirror-like sheen, contrasted by the dark, almost black-brown matte finish of the cattail flowers, treated with subtle surface texture. The elongated forms of the legs and necks are executed in the spirit of mid-century modern—emphasizing fluidity, restraint, and careful attention to proportion. The openwork base adds a sense of depth and visual lightness. This artifact is preserved in very good condition after professional restoration—the brass surface is uniform with no visible signs of patina or damage. The sculpture seems to evoke the tranquil, organic poetry of the 1960s, when modernism drew inspiration from the natural world and subtly incorporated animal motifs into interiors. The simplified, dynamic cranes hint at themes of migration and grace, while the metal's reflective surface catches light like the surface of a morning lake. Hanging on the wall, this composition becomes a visual poem—speaking in the voice of an era in which form expressed the ideals of lightness, organic rhythm, and the optimism of a post-war world. In arrangement, the sculpture can be paired with interiors reflecting mid-century modern principles, but it also works well within understated, eclectic living spaces. It may be set alongside pale wood furniture, textiles with refined textures, or mirrors in brass frames to accentuate its natural luster. It will fit above a low sideboard or near other vintage wall art—especially in a living room where daylight can bring out the golden highlights and the subtle detailing of its design.
DIMENSION
Height42 cm
Depth3 cm
Width37 cm
Dimension details
Width37 cm
Height42 cm
Depth3 cm
DELIVERY
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Estimated delivery time
Today
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24.02
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